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Image and ideographic level-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.

In a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.-The artistic conception is profound and long: the poem creates a unique artistic conception that is both sad and full of hope. Starting from the picture of falling flowers flying, it is a slightly sad scene brought by dying and disappearing, which makes people seem to see colorful petals rustling in the wind, silent and lonely. This is the presentation of the real scene in front of them and lays a certain emotional tone. However, at the turn of the conversation, the imagination of the fallen flowers melted into the soil and turned into nutrients to nourish the new flowers, which added a touch of vitality and hope to this picture, making the whole artistic conception flow between decline and rebirth, disappearance and continuation, with endless charm, so that readers can expand their thoughts and immerse themselves in this profound and poetic situation in the process of reading.

Image and ideographic levelArtistic conception creation level"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem: